"La Rivista di Engramma (open access)" ISSN 1826-901X

184 | settembre 2021

97888948401

Edgar Wind. A Bibliography of the Works and Secondary Literature

(Updated September 2021)

edited by Ada Naval Garcia

English abstract

Preface

This Bibliography assembles the writings of, and on, Edgar Wind (1900-1971), updated in September 2021. The work has been carried out within the research project Seminario Mnemosyne, coordinated by Monica Centanni, in order to expand and complete the specialised bibliography of Edgar Wind.

The contribution is divided into two main sections. I. Writings of Edgar Wind, including: Books, Essays, Editions, and Reviews; Posthumous Editions (of unpublished texts); Published Letters; Collected Papers; and Online Sources. II. Critical Literature, including: Reviews of Edgar Wind’s Writings; Secondary Bibliography on Edgar Wind; and Bibliographies.

For a useful summary of Edgar Wind’s biography, see B. Thomas, Edgar Wind: A Short Biography, “Stan Rzeczy” 1/8 (2015), 117-137.

In order to complete the current Bibliography, scholars and readers are invited to send their suggestions for new entries to the Editorial board of Engramma.

II. Critical Literature
Reviews of Edgar Wind’s Writings
Secondary Bibliography on Edgar Wind
Bibliographies

I. Writings of Edgar Wind

Books, Essays, Editions, and Reviews
Posthumous Editions
Published Letters
Collected Papers
Online Sources

Books, Essays, Editions, and Reviews

1924

E. Wind, Ästhetischer und kunstwissenschaftlicher Gegenstand. Ein Beitrag zur Methodologie der Kunstgeschichte, Auszug der Inaugural-Dissertation, Universität Hamburg, AJ. 1922, Hamburg 1924 [12 pp.]; E. Wind, Ästhetischer und kunstwissenschaftlicher Gegenstand. Ein Beitrag zur Methodologie der Kunstgeschichte, hrsg. von P. Schneider, Hamburg 2011 [Wind [1924] 2011]; Ita. transl. in E. Wind, Per una sistematica dei problemi artistici, trad. e nota intro. di F. Bernabei, “Annali di Critica d’arte” a. 4 (2008) [Bernabei 2008], 51-71.

E. Wind, Review of: Willy Nef, Die Philosophie Wilhelm Wundts, Leipzig 1923, “The Journal of Philosophy” 21/18 (28 August 1924), 498-502.

E. Wind, Review of: Max Ettlinger, Geschichte der Philosophie von der Romantik bis zur Gegenwart, Munich 1924, “The Journal of Philosophy” 21/24 (20 November 1924), 666-669.

1925

E. Wind, Zur Systematik der künstlerischen Probleme, “Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft” J. 18 (1925), 438-486 [a partial edition of the Inaugural-Dissertation of 1922]; Ita. transl. in A. Pinotti (cur.), Dessoir, Utitz, Wind, Panofsky. Estetica e scienza generale dell’arte. I “concetti fondamentali”, trad. di P. Conte, N. Mocchi e A. Pinotti, Bologna 2007 [Pinotti 2007], 105-148.

E. Wind, Theory of Art versus Aesthetics, “The Philosophical Review” 34/4 (July 1925), 350-359; Ita. transl. in Pinotti 2007, 95-102.

E. Wind, I. Contemporary German Philosophy, “The Journal of Philosophy” 22/18 (27 August 1925), 477-493.

E. Wind, II. Contemporary German Philosophy, “The Journal of Philosophy” 22/19 (10 September 1925), 516-530.

1926

E. Wind, Review of: Raymund Schmidt, Die Philosophie der Gegenwart in Selbstdarstellungen, Leipzig 1924, “The Journal of Philosophy” 23/6 (18 March 1926), 163-164.

E. Wind, Review of: Henry Horace Williams, The Evolution of Logic, Chapel Hill 1926, “The Journal of Philosophy” 23/19 (16 September 1926), 524-525.

1927

E. Wind, Experiment and Metaphysics, in E.S. Brightman (ed.), Proceedings of the Sixth International Congress of Philosophy (Harvard University 1926), New York 1927, 217-224.

E. Wind, Review of: Alfred C. Elsbach, Kant Und Einstein, Berlin-Leipzig 1924, “The Journal of Philosophy” 24/3 (3 February 1927), 64-71.

1931

E. Wind, Warburgs Begriff der Kulturwissenschaft und seine Bedeutung für die Ästhetik, “Beilageheft zur Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft” J. 25 (1931), 163-179; new ed. in Wind 2009, 83-111; Eng. trans. in Wind 1983, 21-36; Ita. transl. in R. Cristin, Il concetto di “Kulturwissenschaft” di Warburg e il suo significato per l’estetica, “aut aut” 199-200 (gennaio/aprile 1984), 121-135; new Ita. transl. in Wind 1992, 37-56; Fre. transl. in E. Wind, Le Concept warburgien de science de la culture et sa signification pour l’esthétique, trad. de A. Rieber, “Revue germanique internationale” 28 (2018), 229-242; Spa. transl. in Wind 1993, 63-78.

E. Wind, Humanitätsidee und heroisiertes Porträt in der englischen Kultur des 18. Jahrhunderts, in F. Saxl (Hrsg.), England und die Antike, Leipzig-Berlin 1932 (Vorträge der Bibliothek Warburg, 1930-1931), 156-229; Eng. transl. in Wind 1986, 1-52; Ita. transl. in Wind 2000b, 3-78.

1932

E. Wind, Θεῖος Φόβος. Untersuchungen über die Platonische Kunstphilosophie, “Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft” J. 26 (1932), 349-373; Eng. transl. in Wind 1983, 1-19; Span. transl. in Wind 1993, 41-62.

E. Wind, Mathematik und Sinnesempfindung. Materialen zu einer Whitehead-Kritik, “Logos” J. 21 (1932), 3, 239-280.

1934

E. Wind, H. Meier, R. Newald (Hrsg.), Kulturwissenschaftliche Bibliographie zum Nachleben der Antike, Leipzig-Berlin 1934, 1. Die Erscheinungen des Jahres 1931; Eng. transl. in The Warburg Institute (ed.), A Bibliography on the Survival of the Classics, 1-2, London 1934-1938, 1. The Publications of 1931 [The Warburg Institute 1934].

E. Wind, Einleitung in Kulturwissenschaftliche Bibliographie zum Nachleben der Antike. Vol 1: Die Erscheinungen des Jahres 1931, ed. by Bibliothek Warburg, Leipzig and Berlin, 1934, V-XVII. 

E. Wind, Introduction, in The Warburg Institute 1934, 5-13.

E. Wind, Das Experiment und die Metaphysik. Zur Auflösung der Kosmologischen Antinomien, Tübingen 1934; new ed. hrsg. und mit einem Nachwort versehen von B. Buschendorf, Eingeleitet von B. Falkenburg, Frankfurt am Main 2000 [Wind [1934] 2000]; Eng. transl. in E. Wind, Experiment and Metaphysics: Towards a Resolution of the Cosmological Antinomies, transl. by C. Edwards, with an intro. by M. Rampley, Oxford 2001 [paperback ed. London 2018].

E. Wind, Can the Antinomies Be Restated?, “Psyche” 14 (1934), 177-178.

1935

E. Wind, The Warburg Institute Classification Scheme, “The Library Association Record”, Series 4, 2 (1935), 5, 193-195.

E. Wind, Review of: Mary Dorothy George, Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings, Vol. V, 1771-1783, Nos. 4839-6360, London 1935, “The Burlington Magazine” 67/391 (October 1935), 179.

1936

E. Wind, Some Points of Contact between History and Natural Science, in R. Klibansky, H.J. Paton (eds.), Philosophy and History: Essays Presented to Ernst Cassirer, Oxford 1936, 255-264; Ger. transl. in E. Wind, Über einige Berührungspunkte zwischen Naturwissenschaft und Geschichte, in T. Herzog et al. (Hrsg.), Wissenschaft – Zum Verständnis eines Begriffs, 2, Köln 1988, 34-39.

1937

E. Wind, Donatello’s Judith: A Symbol of “Sanctimonia”, “Journal of the Warburg Institute” 1/1 (July 1937), 62-63; new ed. with add. in Wind 1983, 37-38; Ita. transl. in Wind 1992, 57-59; Span. transl. Wind 1993, 79-80.

E. Wind, Ænigma Termini, “Journal of the Warburg Institute” 1/1 (July 1937), 66-69; new ed. with add. in Wind 1983, 77-84; Ita. transl. in Wind 1992, 121-129; Span. transl. In Wind 1993, 125-132.

E. Wind, Platonic Justice, Designed by Raphael, “Journal of the Warburg Institute” 1/1 (July 1937), 69-70; new ed. with add. in Wind 1983, 77-84; Ita. transl. in Wind 1992, 89-91; Span. transl. In Wind 1993, 101-102.

E. Wind, The Mænad under the Cross: I. Comments on an Observation by Reynolds, “Journal of the Warburg Institute” 1 (July 1937), 70-71; new ed. with add. in Wind 1986, 74-76; Ita. transl. in Wind 2000b, 111-114; first digital ed. in E. Wind, F. Antal, La Menade sotto la croce, testo inglese e trad. a cura. di G. Bordignon, “La Rivista di Engramma” 15 (marzo-aprile 2002), 7-14; second digital ed. with a new intro. by G. Bordignon, “La Rivista di Engramma” 132 (gennaio 2016), 27-36.

E. Wind, An Emendation of Pope by Lessing, “Journal of the Warburg Institute” 1/1 (July 1937), 78-79; new ed. with add. in Wind 1983, 78-79.

E. Wind, Studies in Allegorical Portraiture: I. In Defence of Composite Portraits, “Journal of the Warburg Institute” 1/2 (October 1937), 138-142.

E. Wind, Studies in Allegorical Portraiture: II. Albrecht von Brandenburg as St. Erasmus, “Journal of the Warburg Institute” 1/2 (October 1937), 142-162; new ed. with add. as An Allegorical Portrait by Grünewald: Albrecht von Brandenburg as St. Erasmus in Wind 1983, 58-76.

E. Wind, The Christian Democritus, “Journal of the Warburg Institute” 1/2 (October 1937), 180-182; new ed. in Wind 1983, 83-85; Spa. transl. in Wind 1993, 133-136.

E. Wind, The Saint as Monster, “Journal of the Warburg Institute” 1/2 (October 1937), 183.

E. Wind, Verrio’s “Terribilità”, “Journal of the Warburg Institute” 1/2 (October 1937), 184-185.

1938

E. Wind, The Criminal-God, “Journal of the Warburg Institute” 1/3 (January 1938), 234-245; Ger. transl. in Wind 2009, 347-355.

E. Wind, Two Notes on the Cult of Ruins: I. Ruins and Echoes, “Journal of the Warburg Institute” 1/3 (January 1938), 259.

E. Wind, Two Notes on the Cult of Ruins: II. Utopian Ruins, “Journal of the Warburg Institute” 1/3 (January 1938), 259-260.

E. Wind, Homo Platonis, “Journal of the Warburg Institute” 1/3 (January 1938), 261.

E. Wind, The Crucifixion of Haman, “Journal of the Warburg Institute” 1/3 (January 1938), 245-248; Ita. transl. in J.G. Frazer, La crocifissione di Cristo, seguito da E. Wind, La crocifissione di Aman, a cur. di A. Damascelli, Macerata 2007 [Frazer, Wind 2007], 109-128.

E. Wind, Charity: The Case History of a Pattern, “Journal of the Warburg Institute” 1/4 (April 1938), 322-330.

E. Wind, A Mediæval formula in Kant, “Journal of the Warburg Institute” 2/1 (July 1938), 64.

E. Wind, The Four Elements in Raphael’s “Stanza della Segnatura”, “Journal of the Warburg Institute” 2/1 (July 1938), 75-79.

E. Wind, The Revolution of History Painting, “Journal of the Warburg Institute” 2/2 (October 1938), 116-127; new ed. in H. Spencer (ed.), Readings in Art History, 1-2, New York 1976, 2, 233-252; new ed. in J.S. Ackerman, Rococo to Romanticism: Art and Architecture, 1700-1850, New York 1976 (The Garland Library of the History of Art, 10), 187-200; new ed. in Wind 1986, 88-89; Ita. transl. in Wind 2000b, 133-150.

E. Wind, “Borrowed Attitudes” in Reynolds and Hogarth, “Journal of the Warburg Institute” 2/2 (October 1938), 182-185; new ed. with add. in Wind 1986, 69-73; Ita. transl. in Wind 2000b, 103-110.

E. Wind, Shaftesbury as a Patron of Art: With a Letter by Closterman and two Designs by Guidi, “Journal of the Warburg Institute” 2/2 (October 1938), 185-188; new ed. with a Note by R. Klibansky in Wind 1986, 64-68; Ita. transl. in Wind 2000b, 95-101.

The Warburg Institute (ed.), A Bibliography on the Survival of the Classics, 1-2, London 1934-1938, 2. The Publications of 1932-1933.

1939

E. Wind, Fresh Light on Two Well-known Italian Drawings, “Old Master Drawings” 13 (1938-1939), 49-50.

E. Wind, An Eighteenth-century Improvisation in a Leonardo Drawing, “Old Master Drawings” 13 (1938-1939), 49-50.

E. Wind, “Hercules” and “Orpheus”: Two Mock-heroic Designs by Dürer, “Journal of the Warburg Institute” 2/3 (January 1939), 206-218.

E. Wind, Giordano Bruno between Tragedy and Comedy, “Journal of the Warburg Institute” 2/3 (January 1939), 262.

E. Wind, Dürer’s “Männerbad”: A Dionysian Mystery, “Journal of the Warburg Institute” 2/3 (January 1939), 269-271.

1940

E. Wind, Julian the Apostate at Hampton Court, “Journal of the Warburg and Courtauld Institutes” 3/1-2 (October 1939-January 1940), 127-137; new ed. in The Warburg and Courtauld Institutes (eds.), England and the Mediterranean Tradition: Studies in Art, History, and Literature, London 1945, 131-138; new ed. with add. in Wind 1986, 53-63; Ita. transl. in Wind 2000b, 79-94.

E. Wind, A Self-Portrait of Greco, “Journal of the Warburg and Courtauld Institutes” 3/1-2 (October 1939-January 1940), 141-142.

E. Wind, Heine on Louis Philippe, “Journal of the Warburg and Courtauld Institutes” 3/1-2 (October 1939-January 1940), 160-161.

1941

E. Wind, The Subject of Botticelli’s “Derelitta”, “Journal of the Warburg and Courtauld Institutes” 4/1-2 (October 1940-January 1941), 114-117; new ed. with add. in Wind 1983, 39-41; Ger. transl. in Das Thema von Botticellis “Derelitta”, Übers. von K. Wölfel, “Akzente” J. 29 (1982), 2, 173-178; Span. transl. in Wind 1993, 81-84.

1942

E. Wind, The Source of David’s Horaces, “Journal of the Warburg and Courtauld Institutes” 4/3-4 (April 1941-July, 1942), 124-138; new ed. in Wind 1986, 105-119; Ita. transl. in Wind 2000b, 159-179.

1943

E. Wind, The Lion Filled with Lilies: A Reminiscence of Leonardo in Hogarth, “Journal of the Warburg and Courtauld Institutes” 6 (1943), 222-223.

E. Wind, Reynolds and Pope on Composite Beauty, “Journal of the Warburg and Courtauld Institutes” 6 (1943), 223.

E. Wind, A Lost Article on David by Reynolds, “Journal of the Warburg and Courtauld Institutes” 6 (1943), 223-224.

E. Wind, Harlequin between Tragedy and Comedy, “Journal of the Warburg and Courtauld Institutes” 6 (1943), 224-225.

E. Wind, Milking the Bull and the He-Goat”, “Journal of the Warburg and Courtauld Institutes” 6 (1943), 225 ; new revised ed. in Wind 1986, 86-87; Ita. transl. in Wind 2000b, 129-131.

1946

E. Wind, Letter to Editor, “The Smith College Associated News” 40 (15 March 1946), 2-4.

E. Wind, Jean-Paul Sartre: A French Heidegger, “The Smith College Associated News” 40/31 (5 March, 1946), 1-14; new ed. in “Polemic” (5 September 1946), 54-57; new ed. in Wind 2009, 356-373.

E. Wind, Blood, Iron and Intuition (Jean-Paul Sartre: A French Heidegger), “Polemic” 5 (September-October 1946), 54-57.

1947

E. Wind, Penny, West and “The Death of Wolfe”, “Journal of the Warburg and Courtauld Institutes” 10 (1947), 159-162; Ita. transl. in Wind 2000b, 151-157.

E. Wind, Three Non-Conformist Britons in America: The Hogarth-Constable-Turner Exhibition, “Art News” 45 (March 1947) 14-17; 62-64.

E. Wind, Sante Paganini and Michelangelo. A Study of the Succession of Savonarola, “Mélanges Henri Focillon, Gazette des Beaux-Arts”, 6, XXVI, 211-246. 

1948

E. Wind, The Critical Nature of a Work of Art, in R.F. French (ed.), Music and Criticism: A Symposium, Cambridge, MA 1948, 53-72; new ed. in M.W. Bloomfield, E.W. Robbins (eds.), Form and Idea, New York 1953, 263-276.

E. Wind, Bellini’s Feast of the Gods: A Study in Venetian Humanism, Cambridge, MA 1948; Ita. transl. in E. Wind, Il “Festino degli dèi” di Giovanni Bellini. Uno studio sull’Umanesimo veneziano, trad. di R. Rizzo, Milano 2017.

1949

E. Wind, Mantegna’s Parnassus: A Reply to Some Recent Reflections, “The Art Bulletin” 31/3 (September 1949), 224-232.

E. Wind, A Source for Reynolds’s Parody of The School of Athens, “Harvard Library Bulletin” 3/2 (Spring 1949), 294-297; Ita. transl. in Wind 2000b, 115-119.

1950

E. Wind, The Ark of Noah: A Study in the Symbolism of Michelangelo, “Measure” 1 (1950), 411-421.

E. Wind, A Note on Bacchus and Ariadne, “The Burlington Magazine” 92/564 (March 1950), 82-85.

E. Wind, The Eloquence of Symbols, “The Burlington Magazine” 92/573 (December 1950), 349-350; Ger. transl. in Die Beredsamkeit der Symbole, Übers. von K. Wölfel, “Akzende” 29 (1982), 168-172.

1951

E. Wind, Typology in the Sistine Ceiling: A Critical Statement, “The Art Bulletin” 33/1 (March 1951), 41-47.

E. Wind, Letters to the Editor, “The Art Bulletin” 33/1 (March 1951), 70.

1952

E. Wind, Mathematics and Sensibility, “The Listener” 47 (1 May 1952), 705-706.

E. Wind, “The Last Supper”, “The Listener” 47 (8 May 1952), 747-748.

E. Wind, Leonardo as a Physiognomist, “The Listener” 47 (15 May 1952), 787-788.

1953

E. Wind, Traditional Religion and Modern Art, “Art News” 52 (May 1953), 18-22; 60-63; new ed. in Wind 1983.

E. Wind, Un Art de caprice, de recherches, un art marginal, “Problèmes de l’art contemporain” 29 (1953), 16-17.

E. Wind, Humanities 292a Experimental, “Smith College Alumnae Quarterly Review”, May 1953, 136. Wind Archive, Bodleian Library, Oxford, MS. Wind 9, folder 2.

1954

E. Wind, The Revival of Origen, in D. Miner (ed.), Studies in Art and Literature for Belle da Costa Greene, Princeton, NJ 1954, 412-424; new ed. with add. in Wind 1983, 42-56.

E. Wind, speech in the Final Session of Wissenschaft und Freiheit, internationale Tagung (Hamburg 1953), Berlin 1954, 280-281.

1957

E. Wind, Blake and Reynolds, “The Listener” 58 (28 November 1957), 879-880; new ed. in Wind 1986; Ita. transl. in Wind 2000b, 121-127.

E. Wind, La fallacia dell’arte pura [The Fallacy of Pure Art, unpublished text of the Inaugural Lecture, Oxford, Examination School, 29 October 1957], trad. di S. Maniello, in Barale, Desideri, Ferretti 2016, 273-292.

E. Wind, S. Hampshire, Kant and Aesthetics, BBC Radio Interview Transcript, May 1957, Wind Archive, Bodleian Library, Oxford, Wind 154, folder 3. 

1958

E. Wind, Microcosm and Memory, “The Times Literary Supplement” 30 May 1958, 297.

E. Wind, Pagan Mysteries in the Renaissance, London 1958; Ita. transl. in E. Wind, Misteri pagani nel Rinascimento, trad. di P. Bertolucci, Milano 1971 (Il ramo d’oro, 2); Spa. transl. in E. Wind, Los misterios paganos del Renacimiento, trad. de J. Fernàndes de Castro y J. Bayón, Barcelona 1972; Ger. transl. in E. Wind, Heidnische Mysterien in der Renaissance, mit einem Nachwort von B. Buschendorf, Übersetzt von Chr. Münstermann unter Mitarbeit von B. Buschendorf und G. Heinrichs, Frankfurt am Main 1981; Fre. transl. of the § The Flaying of Marsyas by A.M. Lecoq, “Le Promeneur” 26 (1985), 12-15; Fre. transl. in E. Wind, Mystères païens de la Renaissance, trad. par P.E. Dauzat, Paris 1992.

E. Wind, Bind und Text, (tr. German of the first ever published draft of the conclusion, dating from 1958, by Pagan Mysteries), now in H. Bredekamp, B. Buschendorf, F. Hartung, J.M. Krois (Hrsg.), Edgar Wind: Kunsthistoriker und Philiosoph, Akademie Verlag, Berlin 1998, 259-262. 

E. Wind, Una conchiglia per Afrodite, “FMR” 51 (maggio 1987), 34 [from the Appendix of Wind [1958] 1971].

1959

E. Wind, Review of: Ellis Waterhouse, Gainsborough, London 1958, “The Times Literary Supplement” (20 March 1959), 153-154.

1960

E. Wind, Maccabean Histories in the Sistine Ceiling, in E.F. Jacob (ed.), Italian Renaissance Studies: A Tribute to the Late Cecilia M. Ady, London 1960, 312-327.

E. Wind, Art and Anarchy, The Reith Lectures, 1960, “The Listener” 64 (17 November 1960); rev. and enl. ed., London 1963; New York 1964; Spa. transl. in E. Wind, Arte y anarquía, trad. de S. Masó, Madrid 1967; Ita. transl. in E. Wind, Arte e anarchia, trad. di R. Wilcock, Milano 1968; add. to the Ita. ed. by D. Turchini, Milano 1972; Ger. transl. in E. Wind, Kunst und Anarchie, Die Reith Lectures, 1960, Durchgesehene Ausgabe mit den Zusätzen von 1968 und späteren Ergänzungen, Frankfurt am Main 1979; Fre. transl. in E. Wind, Art et anarchie, trad. de P.E. Dauzat, Paris 1988; new. Ger. ed. Berlin 1994; new Spa. transl. by T. Arijón, Buenos Aires 2016.

1961

E. Wind, Platonic Tyranny and the Renaissance Fortuna: On Ficino’s Reading of Laws IV, in M. Meiss (ed.), De artibus opuscula XL: Essays in Honor of Erwin Panofsky, New York 1961, 491-496; new ed. in Wind 1983, 86-94; Ita. transl. in E. Wind, Tirannia platonica e Fortuna rinascimentale, trad. di P. Bertolucci, in Adelphiana 1971, Milano 1971, 23-36.

1962

E. Wind, Une Copie de la gravure de Claude Mellan pour l’Horace de 1642 utilisée comme frontspice pour un Juvénal, “Gazette des Beaux-Arts” 60 (juillet 1962), 316.

E. Wind, Modern Sacred Art, “The Times Literary Supplement” (25 May 1962), 373.

E. Wind, Technique du coup d’œil, “L’Œil” 95 (1962), 32-39.

1963

E. Wind, Yeats and Raphael: The Dead Child on a Dolphin, “The Times Literary Supplement” (25 October, 1963), 874; new ed. with add. in Wind 1983, 103-106.

1965

E. Wind, Michelangelo’s Prophets and Sibyls, “Proceedings of the British Academy” 51 (1965), 47-84.

E. Wind, Porus Consilii Filius: Notes on the Orphic “Counsels of Night”, in L’opera e il pensiero di Giovanni Pico della Mirandola nella storia dell’Umanesimo, Convegno internazionale per il V centenario della nascita di Giovanni Pico della Mirandola (Mirandola 1963), 1-2, Firenze 1965, 2, 197-203.

1968

E. Wind, Review of: J. Byam Shaw, Paintings by Old Masters at Christ Church, “The Times Literary Supplement” (29 August 1968), 912.

E. Wind, Review of: Ellis Waterhouse, The James A. de Rothschild Collection at Waddesdon Manor: Paintings, Fribourg 1967, “The Times Literary Supplement” (31 October 1968), 1216.

1969

E. Wind, Giorgione’s Tempesta: With Comments on Giorgione’s Poetic Allegories, Oxford 1969; Ita. transl. in Wind 1992.

1970

E. Wind, Review of: John Sparrow, Visible Words: A Study of Inscriptions in and as Books and Works of Art, Cambridge 1969, “The Times Literary Supplement” (26 March 1970), 337-338.

1971

E. Wind, Hans Memling, assisted by G.L. Harris and K.B. MacFarlane, Oxford 1971.

E. Wind, On a Recent Biography of Warburg, Review of: E.H. Gombrich, Aby Warburg: An Intellectual Biography, London 1970, “The Times Literary Supplement” 25 June, 1971, 735-736; new ed. in Wind 1983, 106-114; Ita. transl. in Wind 1992, 161-173; first digital ed. in “La Rivista di Engramma” 153 (febbraio 2018), 183-195 ; new Ita. transl. in E. Wind, Su una recente biografia di Warburg, trad. di M. Centanni e A. Fressola, “La Rivista di Engramma” 171 (gennaio-febbraio 2020), 65-80, with a new English edition, 81-93; Spa. transl. in Wind 1993, 159-168.

Posthumous Editions

E. Wind, The Eloquence of Symbols. Studies in Humanist Art, ed. by J. Anderson, Oxford University Press, Oxford 1983. 

E. Wind, Art and Anarchy, ed. by J. Bayley, Duckworth, London 1985.

E. Wind, Hume and the Heroic Portrait in Hume and the Heroic Portrait. Studies in Eighteen-Century Imagery, ed. by J. Anderson, Clarendon Press, Oxford 1986, 1-52.

E. Wind, Das Experiment und die Metaphysik. Zur Auflösung der kosmologischen Antinomien, ed. by B. Buschendorf, Suhrkamp, Frankfurt am Main 2001, eng. transl. E. Wind, Experiment and Metaphysics. Towards a Resolution of the Cosmological Antinomies, ed. by C. Edwards, M. Rampley, Legenda, Oxford 2001. 

E. Wind, The Religious Symbolism of Michelangelo. The Sistine Ceiling, ed. by E. Sears, Oxford University Press, Oxford 2001. 

E. Wind, Heilige Furcht und andere Schriften zum Verhältnis von Kunst und Philosophie, ed. by J.M. Krois, R. Ohrt, Philo Fine Arts, Hamburg 2009.

E. Wind, Offene Rechnungen. Aby Warburg und sein Werk, in Wind 2009, 374-394.

E. Wind, Ästhetischer und kunstwissenschaftlicher Gegenstand. Ein Beitrag zur Methodologie der Kunstgeschichte, ed. by P. Schneider, Philo Fine Arts, Hamburg 2011. 

E. Wind, Die Bildsprache Michelangelos, hrsg. von P. Schneider, Berlin-Boston 2017 [Wind 2017].

E. Wind, Notes for the explanation of Warburg’s collected works edition, 1930 c., London, Warburg Institute Archive, 11.1.9, edited by M. Ghelardi in Appendice dei testi inediti di Edgard Wind sulle riflessioni di Aby Warburg su Botticelli, “La Rivista di Engramma” 150 (ottobre 2017), 630-635.

E. Wind, On Classicism, ed. by B. Buschendorf and F. Engel, “Pegasus. Berliner Beiträge zum Nachleben der Antike” J. 18-19 (2018), 195-236; Ger. transl. on pages 237-277 of the same issue.

Published Letters from and to Edgar Wind

A. Warburg, Letters to and from E. Wind, (March 1928 to April 1929), in Branca 2019, 59-69. 

E. Wind Correspondence from and With the KWB/Warburg Institute (1928-1946), in Branca 2019.

E. Wind, Letter to Frances Yates (1938), in Branca 2019, 123-125.

G. Bing, Letter to Edgar Wind, (9 April 1940), in Branca 2019, 141.

G. Bing, F. Saxl, R. Wittkower, Telegram to Edgar Wind (21 May 1940), in Takaes de Oliveira 2018, 126.

Lord Lee of Fareham, Letter to Edgar Wind (24 December 1940), in Takaes de Oliveira 2018, 126.

G. Bing, Letter to Edgar Wind (27 April 1942), in Takaes de Oliveira 2018, 127-131.

E. Wind, Letter to Eric M. Warburg (13 June 1942), in Takaes de Oliveira 2018, 131-132.

F. Saxl, Letter to Edgar Wind (19 March 1943), in Takaes de Oliveira 2018, 132-134.

E. Wind, Letter to Fritz Saxl (10 April 1943), in Takaes de Oliveira 2018, 134-136.

G. Bing, Letter to Edgar Wind (1 June 1943), in Takaes de Oliveira 2018, 136-140.

R. Wittkower, Letter to Edgar Wind, (17 January 1944), in Branca 2019, 142.

F. Saxl, Letter to Wind, (18 March 1944), in Branca 2019, 144. 

E. Wind, Handwritten letter to Wittkower (July 28 1944), in Branca 2019, 142-143.

G. Bing, Letter to Edgar Wind, (20 November 1944), in Branca 2019, 154-155.

E. Wind, Letter to Gertrud Bing, (1 June 1945), in Engel 2014, 107-111.

E. Wind, Letter to Gertrud Bing, (15 June 1945), in Takaes de Oliveira 2018, 148-154.

E. Wind, Letter to Rudolph Wittkower (30 June 1945), in Takaes de Oliveira 2018, 155-158.

E. Wind, Letter to Gertrud Bing, (30 June 1945), in Engel 2014, 111-112.

E. Wind, Letter to Fritz Saxl (9 July 1945), in Takaes de Oliveira 2018, 158-159.

R. Wittkower, Letter to Edgar Wind (27 July 1945), in Takaes de Oliveira 2018, 159-161.

E. Purdie, Letter to Edgar Wind (5 November 1945), in Takaes de Oliveira 2018, 161.

E. Wind, Letter to Edna Purdie (11 December 1945), in Takaes de Oliveira 2018, 161-162. 

E. Wind, Report 1939-1945, originally attached to Letter to Gertrud Bing (15-30 June 1945), in Engel 2014, 112-115 and in Takaes de Oliveira 2018, 163-167.

E. Wind, Letter to Eric Warburg (9 January 1946), in Takaes de Oliveira 2018, 162-163.

E. Wind, Letter to Kenneth Clark (28 August 1948), in Takaes de Oliveira 2018, 167-168. 

E. Wind, Letter to Gertrud Bing (12 August 1954), in Takaes de Oliveira 2018, 168-169.

G. Bing, Letter to Edgar Wind (12 August 1954), in Takaes de Oliveira 2018, 169-175.

E. Wind, A Letter-Draft from Edgar Wind to Jean Seznec, (Summer 1954), in Takaes de Oliveira 2020, 102-108.

E. Wind, Letter to the Editor, in “The Times Literary Supplement”, (2 April 1964).

E. Wind, Letter to E.H. Gombrich 2 December 1966, in E.H. Gombrich, Letter to Editor in London Review of Books 6/6 (5 April 1984).

J. Seznec, Letter to Edgar Wind, in Takaes de Oliveira 2018, 175-176.

E. Wind, Letter to G.J. Grange (22 March 1969), in Takaes de Oliveira 2018, 176-177.

Collected Papers

Wind 1983
E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, with A Biographical Memoir by H. Lloyd-Jones, trans. by T.G. Rosenmeyer, P.L. Ganz, C. Gooden, E. Bowie and D. Russell, Oxford 1983.

Wind 1986
E. Wind, Hume and the Heroic Portrait: Studies in Eighteen-Century Imagery, ed. by J. Anderson, Oxford 1986.

Wind 1992
E. Wind, L’eloquenza dei simboli – La “Tempesta”: commento sulle allegorie poetiche di Giorgione [The Eloquence of Symbols, Oxford 1983; Giorgione’s Tempesta, Oxford 1969], trad. di E. Colli, Milano 1992 (Il ramo d’oro, 19).

Wind 1993
E. Wind, La elocuencia de los símbolos [The Eloquence of Symbols, Oxford 1983], trad. de L. Millán Vázquez, Madrid 1993.

Wind 2000a
E. Wind, The Religious Symbolism of Michelangelo: The Sistine Ceiling, ed. by E. Sears, Oxford-New York 2000.

Wind 2000b
E. Wind, Humanitas e ritratto eroico. Studi sul linguaggio figurativo del Settecento inglese, J. Anderson e C. Harrison (a cur. di), trad. di P. Bertolucci, Milano 2000 (Il ramo d’oro, 34).

Wind 2009
E. Wind, Heilige Furcht und andere Schriften zum Verhältnis von Kunst und Philosophie [The Eloquence of Symbols, Oxford 1983, with additions], hrsg. von J.M. Krois and R. Ohrt, Hamburg 2009.

Online Sources

Edgar Wind Papers, 1893-2003, Oxford, Bodleian Libraries, mss. Wind 1-271; online in Bodleian Libraries’ Archives and Manuscripts.

II. Critical Literature

Reviews of Edgar Wind’s Writings
Secondary Bibliography on Edgar Wind
Bibliographies

Reviews of Edgar Wind’s Writings (in Chronological Order)

Nagel 1934
E. Nagel, Review of: E. Wind, Das Experiment und die Metaphysik, Tübingen 1934, “The Journal of Philosophy” 31/6 (March 15, 1934), 164-165.

Moreau 1935
P. Moreau, Review of: E. Wind, H. Meier, R. Newald (Hrsg.), Kulturwissenschaftliche Bibliographie zum Nachleben der Antike, 1, Leipzig-Berlin 1934, “Revue d’histoire littéraire de la France” 42/2 (1935), 280.

Buchanan 1936
E. Buchanan, Review of: The Warburg Institute (ed.), A Bibliography on the Survival of the Classics, 1. The Publications of 1931, London 1934, “The Journal of Philosophy” 33/14 (July 1936), 389-391.

Chew 1939
S.C. Chew, Review of: E. Wind, R. Wittkower (eds.), The Journal of the Warburg Institute, 1 (1937-1938), “The Art Bulletin” 21/3 (September 1939), 303-305.

Tietze-Conrat 1949
E. Tietze-Conrat, Mantegna’s Parnassus: A Discussion of a Recent Interpretation, “The Art Bulletin”, Vol. 31, No. 2 (June 1949), 126-130.

Dionisotti 1950
C. Dionisotti, Review of: Bellini’s Feast of the Gods, A Study in Venetian Humanism by Edgar Wind, “The Art Bulletin”, Vol. 32, No. 3 (September 1950), 237-239.

Dionisotti, Tietze-Conrat 1950
C. Dionisotti, E. Tietze-Conrat, Letters to the Editor, “The Art Bulletin”, Vol. 33, No. 1 (March 1951), 70-72.

Romualdez 1959
A.V. Romualdez, The ‘Pagan’ Renaissance, Review of: E. Wind, Pagan Mysteries in the Renaissance, London 1954, “Philippine Studies” 7/3 (August 1959), 313-317.

Garin 1959
E. Garin, Enigmatic Veils, Review of: E. Wind, Pagan Mysteries in the Renaissance, London 1954, “The Burlington Magazine” 101/671 (February 1959), 73-74.

Hirst 1959
D. Hirst, Review of Pagan Mysteries in the Renaissance by Edgar Wind, "Criticism", Vol. 1, No. 3 (Summer 1959), pp. 271-273. 

Klein 1960
R. Klein, Review of: E. Wind, Pagan Mysteries in the Renaissance, London 1954, “Renaissance News” 13/3 (Autumn 1960), 237-240.

Bolgar 1960
R.R. Bolgar, Pagan Mysteries, Review of: E. Wind, Pagan Mysteries in the Renaissance, London 1954, “The Classical Review” 10/1 (March 1960), 75-77.

Gerhard 1961
R. Gerhard, Thoughts on ‘Art and Anarchy, “The Listener”, v.65, no. 1669 (23 March 1961).

Bertram 1963
A. Bertram, Nothing if not controversial. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Tablet”, (3 August 1963).

Callow 1963
P. Callow, A splendid superfluity. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The London Tribune” (6 December 1963).

Calver 1963
M. Calver, Dangers in art. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Liverpool Daily Post” (28 August 1963). 

Hill 1963
D. Hill, The Danger Men. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Irish Times” (30 November 1963).

Humphrey 1963
N. Humprhey, Following Wind. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Granta”, Cambrige (9 November 1963).

Mortimer 1963
R. Mortimer, What has happened to art? Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Sunday Times” (21 July 1963).

Podro 1963
M. Podro, The Creative Element. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Spectator” (9 August 1963).

Read 1963
H. Read, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Listener Book Reviews”, (18 July 1963).

Russel 1963
J. Russel, What one picture can do. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Sunday Times” (22 December 1963).

Schiff 1963
G. Schiff, Kunst und Anarchie. Zu eineim Buch von Edgar Wind. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Literatur und Kunst” (24 November 1963).

Sutton 1963
D. Sutton, Knights of the Razor, London 1963, “Apollo” (September 1963), 170-171. 

Wilson 1963
C. Wilson, Pas assez de zèle? Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Scotsman”, (10 August 1963).

Berenson 1964
R. Berenson, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “America” (23 May 1964).

Charles 1964
R. Charles, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The British Journal of Aesthetics”, IV, 1964, 183f.

Cooper 1964
M. Cooper, The Arts Retreat. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Daily Telegraph” (3 October 1964).

Crook 1964
A. Crook, Art in the Margin? Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Times Literary Supplement”, (12 March 1964).

Genauer 1964
E. Genauer, Turn down the volume on the painting, please. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Sunday Tribune” (13 September 1964).

Hansen 1964
R. Hansen, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Progressive” (June 1964).

Poore 1964a
C. Poore, Art is Not Really Best Polled at a Gallop. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The New York Times” (14 May 1964).

Poore 1964b
C. Poore, A Little Anarchy for Art’s Sake. E. Wind, Art and Anarchy, London [1960] 1963, “Journal Ottawa Canada” (13 June 1964).

Pryce-Jones 1964
A. Pryce-Jones, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The New York Herald Tribune” (18 April 1964).

Sayce 1964
R. A. Sayce, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Oxford Magazine” (30 January 1964).

Sypher 1964
W. Sypher, Art at the Margin. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The New Leader” (11 May 1964).

Wollheim 1964
R. Wollheim, What is Art? Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The New York Review” (30 April 1964).

Charlson 1965
P. Charlson, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “The Journal of Aesthetics and Art Criticism” 23/3 (Spring, 1965), 391-392.

Creighton 1984
G. Creighton, Edgar Wind as Man and Thinker, “New Criterion Reader”, 3, 2 October 1984 pp. 36-41. Reprint in H. Kramer, (ed.) “New Criterion Reader”, New York  1988, pp. 238-243.

Hudson 1966
A. Hudson, The Critic and the Artist. Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Canadian Art” (July 1966).

Manganelli 1969
G. Manganelli, Arte e Anarchia. E. Wind, Arte e Anarchia, trad. it. by R. Wilcock, Adelphi [1960] 1968, “Mondo Operaio” (April 1969).

Praz 1969
M. Praz, Arte e Anarchia. Review of: E. Wind, Arte e Anarchia, trad. it. by R. Wilcock, Adelphi [1960] 1968, “Il Tempo” (12 Jenuary 1969). 

Trimarco 1969
A. Trimarco, L’arte come “Splendida Superfluità”. Review of: E. Wind, Arte e Anarchia, trad. it. by R. Wilcock, Adelphi [1960] 1968, “Quindici” (Fall 1969).

Visentini 1969
G. Visentini, Il risvolto anarchico. Review of: E. Wind, Arte e Anarchia, trad. it. by R. Wilcock, Adelphi [1960] 1968, “Il Messaggero” (12 April 1969).

Speaight 1969
R. Speaight, Review of: E. Wind, Pagan Mysteries in the Renaissance, London 1954, “Journal of the Royal Society of Arts” 117/5151 (February, 1969), 231-232.

Oechslin 1970
W. Oechslin. Review of: E. Wind, Giorgione’s Tempesta: With Comments on Giorgione’s Poetic Allegories, Oxford 1969, “Bibliothèque d’Humanisme et Renaissance” 32/3 (1970), 695-699. 

Robertson 1971
G. Robertson, New Giorgione Studies, Review of: E. Wind, Giorgione’s Tempesta: With Comments on Giorgione’s Poetic Allegories, Oxford 1969; T. Pignatti, Giorgione, Firenze 1969, “Bibliothèque d’Humanisme et Renaissance” 32/3 (1970), 695-699.

Maxon 1971
J. Maxon, Review of: E. Wind, Giorgione’s Tempesta: With Comments on Giorgione’s Poetic Allegories, Oxford 1969, “Renaissance Quarterly” 24/1 (Spring, 1971), 73-75.

Mandel 1976
D. Mandel, Review of: E. Wind, Art and Anarchy, London [1960] 1963, “Leonardo” 9/1 (Winter, 1976), 76.

Hope et all. 1984
C. Hope, Naming the Graces. Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, Oxford 1984, “London Review of Books”, Vol. 6 No. 5, 15 March 1984.
 With Letters by: Janye Anderson and Margaret Wind, Vol. 6 No. 6, 5 April 1984; Charles Hope, Vol. 6 No. 8, 3 May 1984; Bernard Buschendorf, Vol. 6 No. 21, 15 November 1984.

Iversen 1984
M. Iversen, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “Oxford Art Journal” 7/1 (1984), 60-62.

Mérot 1984
A. Mérot, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “Société d’Étude du XVIIe Siècle”, 3e trimestre, 1984, 294-296.

Ferretti 1985
S. Ferretti, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “La Cultura”, XXIII, no. 2, 1985, 374-380.

Gaskell 1985 
I.Gaskell, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “The British Journal of Aesthetics, XXV, 1985, 79-81.

Kemp 1985
M. Kemp, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “Bulletin of the Society for Renaissance Studies”, 3/2 (October 1985).

Podro 1985
M. Podro, From Plato to Warburg. Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “Art History”, 8/2 (1 June 1985), 242-247.

Silver 1985
L. Silver, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “Bibliothèque d’Humanisme et Renaissance” 47/1 (1985), 245-248.

Whittick 1985
A. Whittick, Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “The Royal Society of Arts Journal”, (April 1985).

Allitt 1986
J. Allitt, A Great Platonist. Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983, “Themenos”, 5, 1984, 285-7.

Danto 1986
A.C. Danto, Face to Face with the Past. Review of: E. Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. by J. Anderson, Oxford 1983 and E. Wind, Hume and the Heoric Portrait. Studies in eighteenth-century imagery, ed. by J. Anderson, Oxford 1986, “Times Literary Supplement” (17 October 1986). 

Filippini 1986
E. Filippini, Annacqua l’arte e mettila da parte. Review of: E. Wind, Arte e Anarchia, trad. it. by R. Wilcock, Adelphi [1960] 1968, “La Repubblica Cultura”, 22.10.1986, p. 28.

Gage 1986
J. Gage, Review of: E. Wind, Hume and the Heroic Portrait: Studies in Eighteen-Century Imagery, ed by. J. Anderson, Oxford 1986, “The Burlington Magazine” 128/1005 (December, 1986) 906-907.

Paulson 1987
R. Paulson, Review of: E. Wind, Hume and the Heroic Portrait: Studies in Eighteen-Century Imagery, ed by. J. Anderson, Oxford 1986, “Eighteenth-Century Studies” 20/4 (Summer, 1987) 472-475.

Ghelardi 1993 
M. Ghelardi, L’allievo di Warburg, Recensione a: E. Wind, L’eloquenza dei simboli – La “Tempesta”: commento sulle allegorie poetiche di Giorgione [The Eloquence of Symbols, Oxford 1983; Giorgione’s Tempesta, Oxford 1969], Milano 1992, “L’Indice dei libri del mese” 10/2 (febbraio 1993), 19-20.

Cañal 1998
V.L. Cañal, La cultura pagana del Renacimiento, Reseña de: E. Wind, Los misterios paganos del Renacimiento [Londres 1954], Barcelona 1972, “Revista de libros”, 18 (junio 1998) 33-34.

Gaston 2003
R.W. Gaston, Review of: E. Wind, The Religious Symbolism of Michelangelo: The Sistine Ceiling, ed by E. Sears, Oxford 2000, “The Burlington Magazine” 145/1208 (November 2003), 797-798.

Barolsky 2003
P. Barolsky, Review of: E. Wind, The Religious Symbolism of Michelangelo: The Sistine Ceiling, ed by E. Sears, Oxford 2000, “Renaissance Quarterly” 56/2 (Summer, 2003), 477-478.

Linden 2004
D. Linden, Review of: E. Wind, Das Experiment und die Metaphysik, hrsg. von B. Buschendorf, Frankfurt am Main [1934] 2000, “Sudhoffs Archiv”, 88/1 (2004), 124-125.

Secondary Bibliography on Edgar Wind (in Alphabetical Order)

Anderson 1996
J. Anderson, Wind, Edgar, in J. Turner (ed.), The Dictionary of Art, 1-34, London 1996, 33, 242-243.

Balavoine 1992
C. Balavoine, Edgar Wind. Itinéraire d’un philosophe historien de l’art: entretien avec Raymond Klibansky, “Préfaces” (juin 1992), 28-32.

Barale, Desideri, Ferretti 2016
A. Barale, F. Desideri, S. Ferretti (a cur. di), Energia e rappresentazione. Warburg, Panofsky, Wind, Milano-Udine 2016.

Barnett, Wittkover 1994
Partnership and Discovery: Margot and Rudolf Wittkower. Margot Wittkower Interviewed by Teresa Barnett, The J. Paul Getty Trust, Los Angeles 1994, 139-216.

Béchard-Léauté 1999
A.-F. Béchard-Léauté, The Contribution of Émigré Art Historians to the British Art World After 1933, Doctoral Thesis, University of Cambridge, Trinity College, 1999.

Bernabei 2008
F. Bernabei, Nota, Bernabei 2008, 51-71.

Betthausen, Feist, Fork, Rührdanz, Zimmer
P. Betthausen, P.H. Feist, C. Fork, K. Rührdanz, J. Zimmer, Metzler Kunsthistoriker Lexikon: zweihundert Porträts deutschsprachiger Autoren aus vier Jahrhunderten, Stuttgart 1999, Metzler, 474-477.

Branca 2019
B. Branca, Edgar Wind, filosofo delle immagini. La biografia intellettuale di un discepolo di Aby Warburg, Milano-Udine 2019.

Branca 2020 
B. Branca, edition and commentary of E. Wind, Raphael Papers: The School of Athens, the original full transcription of the 1950 manuscript, published for the first time and commented by B. Branca, Mendrisio 2020.

Bredekamp, Hartung, Buschendorf, Krois 1998
H. Bredekamp, F. Hartung, B. Buschendorf, J. M. Krois (Hrsg.), Edgar Wind. Kunsthistoriker und Philosoph, Berlin 1998 (Einstein Bücher).

Bredekamp 1998
H. Bredekamp, Falsche Skischwünge. Winds Kritik a Heidegger und Sartre, in Bredekamp, Hartung, Buschendorf, Krois 1998, 207-226; Eng. transl. in False Ski-Turns: Edgar Wind’s Critique of Heidegger and Sartre, transl. by I.B. Whyte, The New German Art History, “Art in Translation” 6/2, Special Issue (June 2014), 215-236.

Busch 1998
W. Busch, Heroisierte Porträts? Edgar Wind und das englische Bildnis des 18. Jahrhunderts, in Bredekamp, Hartung, Buschendorf, Krois 1998, 33-48.

Buschendorf 1981
B. Buschendorf, Einige Motive im Denken Edgar Winds, Nachwort zu Wind 1981, 396-415.

Buschendorf 1985
B. Buschendorf, “War ein sehr tüchtiges gegenseitiges Fördern”: Edgar Wind und Aby Warburg, “Idea. Jahrbuch der Hamburger Kunsthalle” 4 (1985), 165-209.

Buschendorf 1991
B. Buschendorf, Enthusiasmus und Erinnerung in der Kunsttheorie Edgar Winds, in A. Assmann, D. Harth (Hrsg.), Mnemosyne. Formen und Funktionen der kulturellen Erinnerung, Frankfurt am Main 1991, 319-334.

Buschendorf 1993
B. Buschendorf, Auf dem Weg nach England: Edgar Wind und die Emigration der Bibliothek Warburg, in M. Diers (Hrsg.), Porträt aus Büchern: Bibliothek Warburg und Warburg Institute, Hamburg 1993, 85-128.

Buschendorf 1998a
C. Buschendorf, Kunst als Kritik. Edgar Wind und das Symposium Art and Morals, in Bredekamp, Hartung, Buschendorf, Krois 1998, 117-134.

Buschendorf 1998b
B. Buschendorf, Zur Begründung der Kulturwissenschaft. Der Symbolbegriff bei Friedrich Theodor Vischer, Aby Warburg und Edgar Wind, in Bredekamp, Hartung, Buschendorf, Krois 1998, 227-248.

Buschendorf 2001
B. Buschendorf, Das Prinzip der inneren Grenzsetzung und seine methodologische Bedeutung für die Kulturwissenschaften, in Wind [1934] 2000, 270-326.

Buschendorf, Engel 2018
B. Buschendorf, F. Engel, Edgar Winds Cambridger Rede Lecture “On Classicism” von 1960, “Pegasus. Berliner Beiträge zum Nachleben der Antike”, H. 18-19 (2018), 237-278. 

Carchia 1995
G. Carchia, Forma e forza, in Id., Arte e bellezza. Saggio sull’estetica della pittura, Bologna 1995, 97-104.

Centanni, Pasini [2000] 2014
M. Centanni, G. Pasini, Aby Warburg e i suoi biografi. Un ritratto intellettuale nelle parole di Giorgio Pasquali (1930), Gertrud Bing (1958), Edgar Wind (1970), “La Rivista di Engramma” 1 (settembre 2000), 31-41; new ed. in “La Rivista di Engramma” 114 (marzo 2014), 43-52; Eng. transl. Aby Warburg and his Biographers: An Intellectual Portrait in the Words of Giorgio Pasquali (1930), Gertrud Bing (1958), Edgar Wind (1970), transl. by E. Thompson, “La Rivista di Engramma” 114 (marzo 2014), 33-42.

Chaney 2012
E. Chaney, Ein echter Warburgianer. R.B. Kitaj, Edgar Wind, Ernst Gombrich und das Warburg Institute, in Obsessionen. R.B. Kitaj, 1932-2007, Ausstellungskatalog (London, Chichester, Hamburg 2012-2013), Über. von C. Kugelmann, E. Gillen, H. Gaßner und M. Ebmeyer, Bielefeld-Berlin 2012.

Collenberg-Plotnikov 2014
B. Collenberg-Plotnikov, “Das Auge liest anders, wenn der Gedanke es lenkt”. Zur Bestimmung des Verhältnisses von Sehen und Wissen bei Edgar Wind, in N. Plotnikov (Hrsg.), Kunst als Sprache – Sprachen der Kunst, Russische Ästhetik und Kunsttheorie der 1920er Jahre in der europäischen Diskussion, Hamburg 2014, 92-110.

Collenberg-Plotnikov 2016
B. Collenberg-Plotnikov, Forschung als Verkörperung zur Parallelisierung von Kunst und Wissenschaft bei Edgar Wind, in J. Siegmund (Hrsg.), Wie verändert sich Kunst, wenn man sie als Forschung versteht?, Berlin 2016, 65-86.

Cristaldi 1984
R.V. Cristaldi, I “Selected Papers” di Edgar Wind, “Rivista di studi crociani” a. 21 (1984), 58-66.

Damascelli 2007a
A. Damascelli, Nota introduttiva, in Frazer, Wind 2007, 9-14.

Damascelli 2007b
A. Damascelli, Purim e Passione. Note in margine ai testi di Frazer e di Wind, in Frazer, Wind 2007, 131-254.

Damascelli 2011
A. Damascelli, Edgar Wind e la “Derelitta” (di Botticelli o di Lippi), “Lo straniero” 137 (novembre 2011), 135-138.

Eisler [1969] 2013
C. Eisler, Kunstgeschichte American style: A Study in Migration, in D. Fleming, B. Bailyn (eds.), The Intellectual Migration: Europe and America, 1930-1960, Cambridge [1969] 2013, 544-629.

Engel 2012
F. Engel, “In einem sehr geläuterten Sinne sind Sie doch eigentlich ein Empirist!”: Ernst Cassirer und Edgar Wind im Streit um die Verkörperung von Symbolen, in U. Feist, M. Rath (Hrsg.), Et in imagine ego. Facetten von Bildakt und Verkörperung. Festgabe für Horst Bredekamp, Berlin 2012, 369-392.

Engel 2014
F. Engel, Though this Be Madness: Edgar Wind and the Warburg Tradition, in S. Marienberg, J. Trabant (eds.), Bildakt at the Warburg Institute, Berlin 2014 (Actus et imago, 12), 87-116.

Falkenburg 2000
B. Falkenburg, Die Maßsetzung im Endlichen. Einleitung zur Neuherausgabe, in Wind [1934] 2000, 11-59.

Fehl 1998
P. Fehl, Drei Ebenen von Platons Höhle. Wiederbegegnung mit Edgar Winds Art and Anarchy, in Bredekamp, Hartung, Buschendorf, Krois 1998, 135-177.

Ferretti 1991
S. Ferretti, Edgar Wind. Dalla filosofia alla storia, “La cultura” a. 29 (1991), 346-357.

Ferretti 2009
S. Ferretti, Edgar Wind filosofo e storico dell’arte, in Ead., L’intenzione dell’opera, Macerata 2009, 27-45.

Freyberg 2016
S. Freyberg, Ereignis und Objekt. Zur Whitehead-Kritik von Edgar Wind und John Dewey, in F. Engel, S. Marienberg (Hrsg.), Das Entgegenkommende Denken. Verstehen zwischen Form und Empfindung, Berlin 2016, 39-54.

Ghelardi 2017
M. Ghelardi, Edgar Wind su Aby Warburg: un esercizio ermeneutico, “La Rivista di Engramma” 150 (ottobre 2017),
625-635.

Ghelardi 2020
M. Ghelardi, Edgar Wind, Percy Schramm e il Warburg-Kreis. Sui concetti di Nachleben, Renovatio, Correctio, “La Rivista di Engramma” 176 (ottobre 2020)
, 13-42.

Gilbert 1984
C. Gilbert, Edgar Wind as Man and Thinker, “The New Criterion” 3/2 (October 1984), 36-42. 

Goldfarb 1999
C. R. Goldfarb, Edgar Wind and the World Famous Komodo Dragon, “The Centennial Review” 43/1 (Winter 1999) 125-134.

Gomes 2017
R.F. Gomes, Composição em contraponto. Notas sobre a relação entre Aby Warburg e Edgar Wind em seus estudos sobre o Renascimento, “Figura: Studies on Classical Tradition” 5/1 (2017), 249-267.

Griener 1998
P. Griener, Edgar Wind und das Problem der Schule von Athen, in Bredekamp, Hartung, Buschendorf, Krois 1998, 77-103.

Grotz 2018
S. Grotz, Trois warburgiens. Alfred Doren – Fritz Saxl – Edgar Wind, trad. de C. Largier-Vié, “Revue germanique internationale” 28 (2018), 107-124. 

Hadot, Carlier 1998
P. Hadot, J. Carlier, Metaphysik und Bilder: ein Gespräch mit Pierre Hadot, in Bredekamp, Hartung, Buschendorf, Krois 1998, 251-257.

Hook 1987
S. Hook, Out of Step. An Unquiet Life in the 20th Century, Harper & Row, New York, 498-508.

Krois 1998
J.M. Krois, Kunst und Wissenschaft in Edgar Winds Philosophie der Verkörperung, in Bredekamp, Hartung, Buschendorf, Krois 1998, 181–205.

Krois 2009
J.M. Krois, Einletung in Edgar Wind, Heilige Furcht und andere Schriften zum Verhältnis von Kunst und Philosophie, ed. by J.M Krois, R. Ohrt, Philo Fine Arts, Hamburg, 9-40.

Jesinghausen-Lauster 1985
M. Jesinghausen-Lauster, Die Suche nach der symbolischen Form. Der Kreis um die Kulturwissenschaftliche Bibliothek Warburg, Baden-Baden, 1985, 19-26. 

Lailach 1998
M. Lailach, Das Paradigma der Interpretation in Edgar Winds Die heidnischen Mysterien der Renaissance, in Bredekamp, Hartung, Buschendorf, Krois 1998, 105-116.

Latella 2008
C. Latella, Knowledge, History and Art in the Early Work of Edgar Wind (1922-1929), tesi di dottorato, relatore A. Ferrarin, Università di Pisa, a.a. 2008.

Latella 2009
C. Latella, Wind and Riegl: The Meaning of a “Problematical” Grammar, “Journal of Art Historiography” 1 (December 2009).

Lloyd-Jones 1983
H. Lloyd-Jones, A Biographical Memoir, in Wind 1983, XIII-XXXVI; Spa. transl. in Wind 1993, 15-30.

Krois [1998] 2011
J.M. Krois, Kunst und Wissenschaft in Edgar Winds Philosophie der Verkörperung. Anhang: Edgar Winds Kurse in Chapel Hill una am Smith College, in Bredekamp, Hartung, Buschendorf, Krois 1998, 181-205; new ed. in Id., Bildkörper und Körperschema. Schriften zur Verkörperungstheorie ikonischer Formen, hrsg. von H. Bredekamp und M. Lauschke, Berlin 2011 (Actus et imago, 2), 2-23.

MacLeish 1940
A. MacLeish, The Irresponsibles. A Declaration, Duell, Sloan & Pearce, New York 1940. 

McConica 1998
J. McConica, Edgar Winds Oxforder Jahre, in Bredekamp, Hartung, Buschendorf, Krois 1998, 3-13.

Maniello 2016
S. Maniello, Introduzione a La fallacia dell’arte pura, in Barale, Desideri, Ferretti 2016, 267-272.

Martin 2010
F.-R. Martin, Wind, Edgar (1900-1971), in M. Espagne, B. Savoy (éd.), Dictionnaire des historiens d’arts allemands, Paris 2010, 355-363.

de Mille 1973
A. de Mille, Speak to Me, Dance with Me, New York, Popular Library, 1973.

O’Donnell 2018
C.O. O’Donnell, Two Modes of Midcentury Iconology, “History of Humanities” 3/1 (Spring 2018) 113-136.

O’Donnell 2019
C.O. O’Donnell, Edgar Wind: “Hume and the Heroic Portrait”, “Bilderfahrzeuge: Aby Warburg’s Legacy and the Future of Iconology”, 13 May, 2019.

Ohrt 2009
R.Ohrt, …ein Umweg. Nachwort in Wind, Heilige Furcht und andere Schriften zum Verhältnis von Kunst und Philosophie, ed. by J.M. Krois, R. Ohrt, Philo Fine Arts, Hamburg, 395-425.

O’Malley 2001
J.W. O’Malley, The Religious and Theological Culture of Michelangelo’s Rome, 1508-1512 in Wind, The Religious Symbolism of Michelangelo. The Sistine Ceiling, ed. by Elizabeth Sears, Oxford University Press, Oxford.

Pinotti 2016
A. Pinotti, Wind, Warburg et la Kunstwissenschaft comme Kulturwissenschaft, “Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft” 61/2 (2016), 267-279.

Rampley 2001
M. Rampley, Introduction, in Wind 2001, XIII-XXVII.

Rasch 1935
M. Rasch, Juden und Emigranten machen deutsche Wissenschaft, “Völkischer Beobachter” (5 January 1935).

Ritter 1996
H. Ritter, Wer hat Angst vor Edgar Wind? Kunstmystagoge, “Frankfurter Allgemeine: Zeitung für Deutschland”, 1996, 5.

Schlaffer 1982
H. Schlaffer, Gelehrsamkeit. Über Edgar Wind, “Akzente”, 2, 1982, 158-167.

Raulff 2003
U. Raulff, Der aufhaltsame Aufstieg einer Idee. Warburg und die Vernunft in der Republik in Wilde Energien. Vier Versuche zu Aby Warburg, Göttingen, 2003, 72-116.

Redford 1998
B. Redford, “Frisch weht der Wind”: Reynolds und das parodistische Porträt, in Bredekamp, Hartung, Buschendorf, Krois 1998, 13-31.

Schneider 2009
P. Schneider, Edgar Wind (1900-1971). Begriffliches Denken – verkörpertes Sehen, in J. Probst, J.P. Klenner (Hrsg.), Ideengeschichte der Bildwissenschaft. Siebzehn Porträts, Frankfurt am Main 2009 [Probst, Klenner 2009], 53-74.

Schneider 2011a
P. Schneider, Vorbemerkung, in Wind [1924] 2011, 7-11.

Schneider 2011b
P. Schneider, Die Aufgabe ist gestellt – Nachwort, in Wind [1924] 2011, 357-378.

Schneider 2015
P. Schneider, From Hamburg to London: Edgar Wind, Images and Ideas, in U. Fleckner, P. Mack (Hrsg.), The Afterlife of the Kulturwissenschaftliche Bibliothek Warburg: The Emigration and the Early Years of the Warburg Institute in London, Berlin 2015 (Vorträge aus dem Warburg-Haus, 12), 117-130; 228-232.

Schneider 2017a
P. Schneider, Vorwort, in Wind 2017, 7-12.

Schenider 2017b
P. Schneider, Nachwort. Edgar Wind – Verkörperte Präfiguration oder als ob man plötzlich in einen Brunnen fällt, in Wind 2017, 115-126.

Schneider 2002
N. Schneider, Kunst zwischen Magie und Logos: zum kulturwissenschaftlichen Ansatz von Edgar Wind, in K. Garber (Hrsg.), Kulturwissenschaftler des 20. Jahrhunderts. Ihr Werk im Blick auf das Europa der Frühen Neuzeit, München 2002, 23-37.

Sears 1998
E. Sears, Die Bildersprache Michelangelos: Edgar Winds Auslegung der Sixtinischen Decke, in Bredekamp, Hartung, Buschendorf, Krois 1998, 49-75.

Sears 2000
E. Sears, Edgar Wind on Michelangelo, in Wind 2000a, XVII-XL.

Seidl 1997
E. Seidl, Mitte gesucht: Edgar Wind, Kunsthistoriker und Philosoph, “Kunstchronik” 1 (Januar 1997), 8-11.

Seiler 1987
M. Seiler, Aspekte theoretischer Kongruenz von Wiener Schuler und Warburg-Kreis. Edgar Wind und Julius von Schlosser, “Kunsthistoriker”5, 1/2, 10-12.

Takaes de Oliveira 2017
I. Takaes de Oliveira, Arte e transgressão em Edgar Wind. Um estudo sobre a armadura conceitual e a recepção de Art and anarchy (1963), Dissertação de mestrado, orientador Luiz Cesar Marques Filho, Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas, a.a. 2017.

Takaes de Oliveira 2018
I. Takaes de Oliveira, “L’esprit de Warburg lui-même sera en paix”. A Survey of Edgar Wind’s Quarrel with the Warburg Institute, “La Rivista di Engramma” 153 (febbraio 2018),
109-182.

Takes de Oliveira [2017] 2019
I. Takes de Oliveira, “A Tract for the Times”: As Reith Lectures de 1960 por Edgar Wind, “Figura: Studies on the Classical Tradition” 5/1 (2017), 269-287 ; Eng. transl., “A Tract for the Times” – Edgar Wind’s 1960 Reith Lectures, “Journal of Art Historiography” 21 (2019).

Takes de Oliveira 2020a
I. Takes de Oliveira, “Il y a un sort de revenant”, “La Rivista di Engramma” 171 (gennaio-febbraio 2020),
97-112.

Takes de Oliveira 2020b
I. Takes de Oliveira, The Demented, the Demonic, and the Drunkard: Edgar Wind’s Anarchic Art Theory, “La Rivista di Engramma” 176 (ottobre 2020),
 43-98.

Targia 2018b
G. Targia, Détails et hypothèses: Edgar Wind, Aby Warburg et L’École d’Athènes de Raphaël, “Revue germanique internationale” 28 (2018), 69-86.

Targia 2019a
G. Targia, Edgar Wind’s Self-translations: Philosophical Genealogies and Political Implications of a Cultural-theoretical Tradition, in M.T. Costa, H.-C. Hönes (eds.), Migrating Histories of Art: Self-Translations of a Discipline, Berlin-Boston 2019, 77-89.

Targia 2019b
G. Targia, Der “Zusammenhang zwischen Natur- und Geisteswissenschaft” bei Aby Warburg, Edgar Wind und Niels Bohr, in F. Fehrenbach, C. Zumbusch (Hrsg.), Aby Warburg un die Natur. Epistemik, Ästhetik, Kulturtheorie, Berlin-Boston 2019, 9-31.

Tedesco 2006
S. Tedesco, Sistema e storia nel pensiero estetico di Edgar Wind, in Id., Il metodo e la storia, Palermo 2006, 75-114.

Tedesco 2010
S. Tedesco, Il pensiero estetico di Edgar Wind, in Id., Morfologia estetica. Alcune relazioni fra estetica e scienza naturale, Palermo 2010, 18-27.

Thomas 2004
B. Thomas, Wind, Edgar Marcel (1900-1971), in Oxford Dictionary of National Biography, online Edition, Oxford 2004. 

Thomas 2015
B. Thomas, Edgar Wind: A Short Biography, “Stan Rzeczy” 1/8 (2015), 117-137.

Thomas 2017
B. Thomas, In Defence of Marginal Anarchy. Edgar Wind and the Congress for Cultural Freedom in Art Hisotry and the Cold War, ed. by G. Pooke, B.Thomas, Ashgate, Farnham 2017. 

Thomas 2020
B. Thomas, Edgar Wind and Modern Art: In Defence of Marginal Anarchy, London-New York 2020.

Ulloa Molina 2021
E.M. Ulloa Molina, La influencia kantiana en el programa de investigación de la sistemática de los problemas artísticos de Edgar Wind, Tesis de maestría, tutor principal O.H. Flores Flores, Escuela nacional de estudios superiores, Unidad Morelia, Instituto de investigaciones estéticas, 2021.

Viola 2012
T. Viola, Peirce and Iconology: Habitus, Embodiment, and the Analogy between Philosophy and Architecture, in “European Journal of Pragmatism and American Philosophy” 4/1 (2012), 6-31.

Wendland 1999
U. Wendland, Biographisches Handbuch deutschsprachiger Kunsthistoriker im Exil: Leben und Werk der unter dem Nationalsozialismus verfolgten und vertriebenen Wissenschaftler, vol. 2, Munich 1999, Saur, 774-779.

Wittkover 1994
M. Wittkover, Partnership and Discovery: Margot and Rudolf Wittkower Interviewed by Teresa Barnett, Los Angeles 1994, 139-219. 

Zänker 1998
J. Zänker, Mänaden unterm Kreuz. Die Metamorphose der Magdalena bei Antal/Wind und bei Picasso, in P.K. Klein, R. Prange (Hrsg.), Zeitenspiegelung. Zur Bedeutung von Traditionen in Kunst und Kunstwissenschaft. Festschrift für Konrad Hoffmann zum 60. Geburstag am 8. Oktober 1998, Berlin 1998, 301-311.

Zorach 2007
R. Zorach, Love, Truth, Orthodoxy, Reticence; or, what Edgar Wind didn't See in Botticelli’s Primavera, “Critical Inquiry” 34 (Autumn, 2007), 190-224.

Zorach 2008
R. Zorach, Renaissance Theory: A Selective Introduction, in J. Elkins, R. Williams (eds.), Renaissance Theory, New York 2008, 3-36.

Schneider 2009
P. Schneider, Edgar Wind (1900-1971). Begriffliches Denken – verkörpertes Sehen, in Probst, Klenner 2009, 53-74.

Bibliographies

Lloyd-Jones 1983
H. Lloyd-Jones, Bibliographic summary in A Biographical Memoir, in Wind 1983, XIII-XXXVI; Spa. transl. in Wind 1993, 15-30.

Thomas 2015
B. Thomas, Bibliographic summary in Edgar Wind: A Short Biography, “Stan Rzeczy” 1/8 (2015), 117-137.

Branca 2021
B. Branca, The Published Writings of Edgar Wind, “The Edgar Wind Journal”.

English Abstract

A complete bibliography of the writings of Edgar Wind and of the curatorships, publications, and translations edited by himself. In addition, a review of the critical literature dedicated to him, as a scholar and intellectual (updated in September 2021).

keywords | Edgar Wind, Bibliography.

Per citare questo articolo / To cite this article: A. Naval (a cura di), Edgar Wind. A Bibliography of the Works and Secondary Literature (Updated September 2021), “La Rivista di Engramma” n. 184, settembre 2021, pp. 97-137 | PDF of the article