- warburg & mnemosyne
- temi di ricerca
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- archivio
- libreria
- colophon
- Borders Cuts Images. History and Theory. Editorial edited by Linda Bertelli and Maria Luisa Catoni
- Cut as a device. An example from Classical AntiquityMaria Luisa Catoni
- Cutting down the interpretation of drawings. The case of WatteauCamilla Pietrabissa
- Framing representation. The hybrid zones of intarsiaMaja-Lisa Müller
- The photographic cut and cutting practices in photographic archivesCostanza Caraffa
- From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860)Sara Romani
- A look from outside. Foreign photographers in Palermo between the 19th and 20th centuriesLaura Di Fede
- Framing the ‘delegated gaze’. Handbooks for travelers and the making of anthropological photography in Italy at the end of the 19th centuryAgnese Ghezzi
- Chronophotography as an archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894)Linda Bertelli
- The aesthetics of cut in found footage film. The case of Decasia by Bill MorrisonSonia Colavita
- Rediscovering censorship to understand the struggle for the contemporaneous age-oriented movie rating systemsMaria Giusti
- At the border of artistic legitimation. Geography, practices and models of project spaces in MilanLaura Forti, Francesca Leonardi
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febbraio 2021
Borders Cuts Images
temi di ricerca
colophon
libreria
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