179

febbraio 2021

Borders Cuts Images

• Borders Cuts Images. History and Theory. Editorial edited by Linda Bertelli and Maria Luisa Catoni
• Cut as a device. An example from Classical AntiquityMaria Luisa Catoni
• Cutting down the interpretation of drawings. The case of WatteauCamilla Pietrabissa
• Framing representation. The hybrid zones of intarsiaMaja-Lisa Müller
• The photographic cut and cutting practices in photographic archivesCostanza Caraffa
• From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860)Sara Romani
• A look from outside. Foreign photographers in Palermo between the 19^th and 20^th centuriesLaura Di Fede
• Framing the ‘delegated gaze’. Handbooks for travelers and the making of anthropological photography in Italy at the end of the 19^th centuryAgnese Ghezzi
• Chronophotography as an archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894)Linda Bertelli
• The aesthetics of cut in found footage film. The case of Decasia by Bill MorrisonSonia Colavita
• Rediscovering censorship to understand the struggle for the contemporaneous age-oriented movie rating systemsMaria Giusti
• At the border of artistic legitimation. Geography, practices and models of project spaces in MilanLaura Forti, Francesca Leonardi